As it erupted in 1980, Mount St. Helens captured the attention of the region, nation, and world, and it continues to fascinate us today: a constant reminder that we live in volcano country. In lucid prose and poetry by some of America's leading writers and scientists, In the Blast Zone explores this story of destruction and renewal in all its human, geological, and ecological dimensions. Most popular accounts of the momentous eruption have focused on the devastation it caused. More recent scientific work on Mount St. Helens tells a story of unexpectedly rapid and varied ecological and geological change.

In the Blast Zone is the first book to present a cross-pollination of literary and scientific perspectives on the mountain's history of cataclysm and renewal. Most of the contributors to this volume camped together on Mount St. Helens for four days, hiking, observing, and sharing ideas. They asked the question: What can this radically altered landscape tell us about nature and how to live our lives? In the Blast Zone collects some of their answers. While introducing ecological and geological insights, it also tells compelling stories about how science and literature inform our lives and our relationship to nature.

These writings will startle readers with new recognition of the matchless gifts of Mount St. Helens: the gifts of beauty, of illumination, of hope. The Contributors Gary Braasch, John Calderazzo, Christine Colasurdo, Charlie Crisafulli, John Daniel, Jerry Franklin, Charles Goodrich, Robin Kimmerer, Ursula K. LeGuin, Tim McNulty, Kathleen Dean Moore, Nalini Nadkarni, Robert Michael Pyle, Scott Russell Sanders, James Sedell, Gary Snyder, Kim Stafford, Frederick J. Swanson, Tony Vogt, Ann Zwinger, Susan Zwinger

A beautifully unconventional love story.

It’s the summer of 2008, and thirty-five-year-old Ursula Tunder, reeling from the breakup of a bad marriage, has abandoned her career as a botanist and moved home to the family farm to start a wholesale garden-plant greenhouse, and, perhaps more importantly, to care for her ailing father, Joe. Her younger brother, Bodie, now that a shoulder injury has ended his NFL career, comes home as well, to try his hand at organic farming. Their land at the edge of a prosperous college town is coveted by developers. Ursula wants to sell the farm to Camas Valley State University, which has promised to create a research facility on the land, but Bodie and his idealistic wife, Fleece, are committed to farming.

Enter Nu, Ursula and Bodie’s Vietnamese-American cousin by adoption, and an up-and-coming visual artist. When Nu gets arrested after a fight with a pair of dirt bikers, Joe persuades him to take refuge at the Tunder farm. Nu gets pressed into service helping Bodie with farm chores and taking care of Joe, so Ursula seizes the opportunity to get away from the farm, accepting a temporary job surveying native plants in the Cascades. But when Joe’s health plummets and Bodie’s finances crash, Ursula abandons her summer job to return home once again.

Facing bankruptcy, Ursula, Bodie, and Nu enlist a ragtag troupe of land-defenders in a festival of resistance in a last-ditch effort to save a way of life that may disappear forever.

This comprehensive report on the New York Hospital–Cornell Project, 1960–1965, describes the first hospital-based experiment in the organization of welfare medical care service in New York City. The purposes of the project were to determine whether it was feasible for a voluntary teaching hospital to provide complete medical care for a population of welfare recipients and to compare the utilization, cost, and quality of that care with that provided to a control group who received care under the existing system. The project found that hospital-based medical care for welfare recipients is feasible and satisfactory.